How to write a good music album review
And, even though I am currently on an indefinite hiatus from the scenes of music journalism, I enjoy spreading wisdom about the workings of this wonderful medium.
Since it's now overwhelmingly possible, and maybe even common, that a person can read about an album while simultaneously streaming it, the critic must operate under a whole new set of assumptions when writing.
How to write an album
I like Twitter to promote content, and the less time I have to search down Twitter addresses, etc, the happier I am and the more likely I help spread the word about your album review. The source of these letters accumulates as I go about my daily routine as a music columnist, reviewer, and music site dude. After I cheered while witnessing Rain's character waste the film's ultimate villain by developing magical powers at the last second, I started wondering what would happen if I were tasked with reviewing Ninja Assassin. I prefer situations between these two extremes. Not only will this make the whole process more enjoyable and interesting, it will provide you with an opportunity to stand out over your peers. That, and don't dismiss the new PJ Harvey album in 38 words. Go outside. Basically I have a slush pile, a Shelf Of Interminable Waiting, for those albums that I keep in sight just in case I feel like giving an album a second chance. Since it's now overwhelmingly possible, and maybe even common, that a person can read about an album while simultaneously streaming it, the critic must operate under a whole new set of assumptions when writing. If you have too long to marinate on an album, you can sometimes overthink your opinion and second-guess your gut reaction—specifically if you see a lot of people arguing about it a lot on the internet. Photo by Nolan Allen Broadly, these changes have led many people to question the continued relevance of the album review, and by extension the critic. Share via Email More jokes, fewer triads. It's no wonder that, as my colleague Dan Ozzi wrote last year , given the shifting economic realities of online music media, that music criticism "has become a veritable trash pit of amateur opinions and toxic discourse. The task at hand is to provide others with an informed impression of a piece of art.
Future Days is a weekly column by Drew Millard. Go to a record store, library, Goodwill or garage sale and find something that catches your eye.
How to Write About Music is an invaluable text for all those who have ever dreamed of getting their music writing published and a pleasure for everyone who loves to read about music. The saturation of the music market means that there is a plethora of albums out there to discuss, and only a select few may be worthy of such cultural dissertations.
If you send me to your site and it only plays 60 second song samples, then I move on to the next email. One is the type you used to see in the backs of music magazines, short little things to give the reader a sense of the music and then offering some sort of judgment as to whether they're worth picking up.
based on 33 review